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The Two-minute Time Lord Podcast will have no truck with the "so bad it's good" notion. Instead, we celebrate the notion of "cleverdumb" storytelling: meticulous in certain aspects, and gleefully and purposefully washing its hands of others. Exhibit A: the US series Leverage. Exhibits that follow: certain episodes of our favorite family sci-fi drama–but why are there so few "cleverdumb" Doctor Whos?
(One guess who inspired the title for this podcast.)
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A clickbait headline hurtles toward Ye Olde Compare-and-Contrast between the promised grim-'n'-gritty Batman v Superman: Dawn of Justice and the widely inferred darkness of the Twelfth Doctor.
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Two thousand years! That's how old The Doctor is now, as stated by the Twelfth in the latest trailer and as implied in his predecessor's swan song, "The Time of the Doctor." That's a pretty huge leap from roughly 900 years old at the start of Steven Moffat's showrunnership. Is it a fair leap when you consider the assumed ages of his predecessors? Or is "fairness" even a fair issue?
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On the power of the (leaked) written word (and the importance of Wheaton's Law)…
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With apologies, the War Doctor just doesn't seem "real" enough to warrant a space on my shelf among the ordinally-numbered Doctor action figures in my collection. As magnificent as John Hurt was, why am I reluctant to include him in the tribe?
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Herewith, three reasons why old-school fandom is buzzing with such excitement for Peter Capaldi, when the historic pattern has been more guarded.
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Rebecca Moore and her fellow undergraduates at BYU-Idaho did a little study this year about female characters' representation in post-2005 DOCTOR WHO. You might have heard about it! I talk with Rebecca about what prompted the study, and what happened when her teammate Joseph Struhs's infographic got noticed on Tumblr and by The Guardian and went viral.
For other takes on the study, check out Verity! episode 43 and Charlie Jane Anders's io9 article, "Why the Bechdel Test is More Important Than You Realize."
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At the Hay Festival, showrunner Steven Moffat promised that the new season of Doctor Who will be radically different. Does casting Peter Capaldi alone make that true?
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Last month the Hugo nominees were revealed and thankfully, the controversies found in other award categories were absent in the Best Dramatic Presentation (Short Form) category. Which Doctor Who-related work, including the non-episodes AN ADVENTURE IN SPACE AND TIME and THE FIVE(ISH) DOCTORS REBOOT deserve the nod? And, these days, what does a Hugo really mean?
(Sorry I've been away; launching The Audio Guide to Babylon 5 with Verity!'s Erika Ensign and my wife Shannon has been a bit of a distraction!)
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A departure for 2MTL: why pontificate about a character when I can approach it fictionally? Here's a character study about Clara Oswald, and what might have been beneath her blurted confession in "The Time of the Doctor."
