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On great last words, blossomest blossoms, emotional truth, and whether the plot is king.
When you're the sort of person for whom the meaning of "fine" turns from "good enough" to not so much, and maybe you start surrendering to pessimism, even after an honestly revolutionary conversation between Yaz and the Doctor.
I'm not entirely sure who "The Vanquishers" applies to, TBH. Anyhoo, I took a little extra time to think about Chapter 6, and Flux as a whole, and why I ultimately think this effort to put eight pounds of plot into a six-pound bag succeeded despite itself.
Tomorrow's the finale. Has the moment been prepared for? Chapter 5 left me a little worried.
Recapture the essense of the Weeping Angels from "Blink"? Chibnall and Alderton understood the assignment.
Space opera? Narrative connections and context emerging? Yes, please: this is the episode that gave me faith in Chris Chibnall's arc. (This episode dedicated to the memory of NPR Books editor Petra Mayer.)
In which the laudable advancement of the Doctor Who: Flux story and the "rehabilitation" of the Sontarans as villains bumps straight into how I feel about war movies.
Big, bold, and entirely un-self-contained, Doctor Who: Flux's first chapter may not have been the most welcoming to new viewers but is a very proper lead-off to the show's first modern miniseries.
Ten months of silence–ten months of waiting and coping–for Yaz, Ryan, and Graham: When "Revolution of the Daleks" was made BEFORE the pandemic, who knew how relevant it would be DURING it?
"Always, scribble, scribble, scribble! Eh! Chloe Webber?" After a couple of months away to recharge the batteries, there's no more jarring compare-and-contrast to Doctor Who of 2020 than Doctor Who of 2006's "Fear Her."
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