Two thousand years! That's how old The Doctor is now, as stated by the Twelfth in the latest trailer and as implied in his predecessor's swan song, "The Time of the Doctor." That's a pretty huge leap from roughly 900 years old at the start of Steven Moffat's showrunnership. Is it a fair leap when […]
Possibly somewhat belatedly, 2MTL evaluates whether Matt Smith was the Eleventh or Thirteenth Doctor.
We celebrate the Eleventh Doctor as the BBC announces his pending departure.
Well, pardners, there's no song 'n dance in "A Town Called Mercy," DOCTOR WHO's first Western since "The Gunfighters." It ain't a barrel of laughs for the Doctor this time, either. This is why y'all can't have long hiatuses in this TV show anymore; the hero tends to go rogue after them!
Time to get the Doctor off his high horse, right? The Oncoming Storm got a little too gusty? So it's time for him to make everyone in the universe think he's dead. From the dawn of time to the end of the world? Help me. My suspension of disbelief is suspended.
One of the most fascinating things about "The Doctor's Wife" had little to do with its star writer — it was Matt Smith's excellent performance revealing the complex, powerful emotions buried inside the Eleventh Doctor. For a supposedly "understated" Doctor, Smith's last scene opened up the floodgates…
Less than two weeks away, a confession: I've been overwhelmed not only by the mammoth wall of hype over the debut of Series 6, but by some of the implications of the new season itself.
Plus, listener feedback! Plus, simultaneously, an illustration of how listener feedback can go horribly wrong! (Bad influence: Ask a […]
As a parting shot in 2MTL 196, I mentioned that I thought the message of the first four seasons of new Doctor Who, Torchwood and the Sarah Jane Adventures was that "it's the actions of everyday humans like you and me that make the difference in overcoming adversity." Some of you noticed that I […]
"Rose, I'm trying to resonate concrete." Sometimes, the Doctor is tinkering with something he can't take his attention from, which traps him in a revealing conversation. It's a scripting strategy that RTD and Steven Moffat have used since 2005, most recently in "Death of the Doctor," and it's worked to great effect in revealing […]
"Amy's Choice" was a powerful piece of storytelling, offering a fundamental insight into the Doctor's character, and a significant turning point for Amy. The character development was welcome after a first half of the series that seemed overly efficient in its characterization.
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