Space opera? Narrative connections and context emerging? Yes, please: this is the episode that gave me faith in Chris Chibnall's arc. (This episode dedicated to the memory of NPR Books editor Petra Mayer.)
In which the laudable advancement of the Doctor Who: Flux story and the "rehabilitation" of the Sontarans as villains bumps straight into how I feel about war movies.
Big, bold, and entirely un-self-contained, Doctor Who: Flux's first chapter may not have been the most welcoming to new viewers but is a very proper lead-off to the show's first modern miniseries.
Nicole Hill of @BlackTARDIS and @blkgirlscreate stops by for a conversation about their hopes and cautions for the new/old showrunner.
No one saw that coming. Russell T Davies's first era of Doctor Who is my favorite. What are some of the traps to avoid with his upcoming return as showrunner?
From the April 29, 2021, Guardian (UK): ‘Sexual predator’: actor Noel Clarke accused of groping, harassment and bullying by 20 women
You can enjoy Mickey Smith the character in Doctor Who Series 1-4. But don’t defend Noel Clarke the actor.
Ten months of silence–ten months of waiting and coping–for Yaz, Ryan, and Graham: When "Revolution of the Daleks" was made BEFORE the pandemic, who knew how relevant it would be DURING it?
"Always, scribble, scribble, scribble! Eh! Chloe Webber?" After a couple of months away to recharge the batteries, there's no more jarring compare-and-contrast to Doctor Who of 2020 than Doctor Who of 2006's "Fear Her."
Why is it difficult for so many fans to engage with Doctor Who's politics?
Constance Gibbs: "For Black Doctor Who fans, the TARDIS is a legendary, loaded image"
There's been a lot of great Doctor Who content that speaks to the global pandemic thanks to creators recruited and organized by folks such as Chris Chibnall and Emily Cook. But 2015's "Heaven Sent" seems particularly relevant as well…
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