Ten months of silence–ten months of waiting and coping–for Yaz, Ryan, and Graham: When "Revolution of the Daleks" was made BEFORE the pandemic, who knew how relevant it would be DURING it?
"Always, scribble, scribble, scribble! Eh! Chloe Webber?" After a couple of months away to recharge the batteries, there's no more jarring compare-and-contrast to Doctor Who of 2020 than Doctor Who of 2006's "Fear Her."
Why is it difficult for so many fans to engage with Doctor Who's politics?
- Constance Gibbs: "For Black Doctor Who fans, the TARDIS is a legendary, loaded image"
There's been a lot of great Doctor Who content that speaks to the global pandemic thanks to creators recruited and organized by folks such as Chris Chibnall and Emily Cook. But 2015's "Heaven Sent" seems particularly relevant as well…
Graeme Burk, co-author with Robert Smith? of WHO IS THE DOCTOR 2, stops by to talk about slow-cooker episode criticism in a time of lightning-fast hot takes (not that I'm familiar with that at all) and staying connected with Doctor Who in a stay-at-home world. (An earlier audio glitch has been fixed!)
Suddenly, there's much, much more to the Doctor–and yet this new "retcon" to the Doctor's past winds up being staggeringly respectful to everything that's gone before on television. Let's talk about a challenge to The Master–and to Doctor Who fans themselves.
Execution: pretty darn good! Cybermen: terrifying! Confidence that Part Two will stick the landing: (flailing gestures)?
On emotional Cybermen and erstwhile flat team structures.
Sometimes, the plot isn't the point and the bad guys are a side issue. Sometimes, the point is how humans treat other humans.
A mostly solid story by McTighe and Chibnall, but I'm REALLY here for a Doctor-ish Yaz and a Doctor-ish Ryan.
